Collection: Marina Adams
Recent solo exhibitions include Anemones at Salon 94 Bowery NYC, which was accompanied by a new monograph (2019); and The Secret of Greek Grammar at Larsen Warner Gallery in Stockholm, Sweden. Her solo exhibition at The Modern Art Museum Fort Worth ha been postponed until the fall, 2020 due to Covid-19. An upcoming solo exhibition is scheduled for early 2021 along with new representation at the Stephen Friedman Gallery, London. In 2016, Adams presented a solo booth with Karma Gallery and Books at the Independent, NY, concurrent with their publication of her book, titled Portrait and a Dream. Past solo shows include Galerie Gris, Hudson, NY (2015; 2013); Hionas Gallery, NYC (2013), CUE Art Foundation, NYC (2008), and Magazzino d’Arte Moderna, Rome, Italy (1997).
Recent group shows include (Nothing But) Flowers, Karma, NYC; Spotlight, Larsen Warner, Falsterbo, Sweden; Painting the Essential: New York, 1980-Present, Online curated by Chris Martin, Timothy Tayor Gallery, London; Aspects of Abstraction, Lisson Gallery NYC, Artemisia, Baronian Gallery, Brussels, Belgium and A Space for Thought, Brand New Gallery, Milan, Italy, as well as Vanishing Points curated by Andrianna Campbell at James Cohan Gallery, NYC, Quicktime at the University of the Arts, Philadelphia, PA. Her work was also included in Making & Unmaking: An exhibition curated by Duro Olowu, Camden Arts Centre, London, UK and at Nathalie Karg Gallery, NYC. Adams co-organized with CAMH curator Dean Daderko the large group exhibition Sex in the City at D.U.M.B.O. Arts Center, Brooklyn, NY (2007).
Adams has collaborated with poets generating Actualities with Norma Cole (Litmus Press, 2015); Portrait and a Dream with a poem by Charles Bernstein; Taormina with Vincent Katz (Kayrock, 2012), The Tango with Leslie Scalapino (Granary Books, 2001) and Vue sur Mer with Christian Prigent (Gervais Jassaud, 2010).
Her selected charity is Brooklyn Rescue Mission.